Engros- Olja Måleriet Reproducering , Nej Minimum!

 
 

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ZUCCARELLI Francesco

Italian painter, Venetian school (b. Pitigliano, 1702, d. 1788, Firenze)

Måleriet identifieringen::  7074
Backanal
1740-50 Olja på segelduk. 142 x 210 cm Galleri dell~Accademia. Venedig
Italian painter, Venetian school (b. Pitigliano, 1702, d. 1788, Firenze) Titta min galleri i Sverige
 
 
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ZUCCARELLI  Francesco Bacchanal oil painting reproduction

   
 

 

 
   
      


Måleriet identifieringen::  28049
Backanal
mk61 Olja på segelduk 175x193cm
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Titian Bacchanal oil painting reproduction

   
 

 

 
   
      


Måleriet identifieringen::  50613
Bacchanal
mk213 Oil on canvas
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unknow artist Bacchanal oil painting reproduction

   
 

 

 
   
      

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ZUCCARELLI Francesco

Italian painter, Venetian school (b. Pitigliano, 1702, d. 1788, Firenze)

Måleriet identifieringen::  52564
Bacchanal
1740-50 Oil on canvas, 142 x 210 cm
Italian painter, Venetian school (b. Pitigliano, 1702, d. 1788, Firenze) Titta min galleri i Sverige
 
 
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ZUCCARELLI  Francesco Bacchanal oil painting reproduction

   
 

 

 
   
      

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Michel-Ange Houasse

1680-1730 French Michel Ange Houasse Gallery

Måleriet identifieringen::  68401
Bacchanal
1719 Oil on canvas 125 x 180 cm
1680-1730 French Michel Ange Houasse Gallery Titta min galleri i Sverige
 
 
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Michel-Ange Houasse Bacchanal oil painting reproduction

   
 

 

 
   
      

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Giulio Carpioni

(1613 - 29 January 1678) was an Italian painter and etcher of the early Baroque era. Born probably in Venice, Carpioni studied under Alessandro Varotari (il Padovanino) and was also influenced by the work of Simone Cantarini, Carlo Saraceni and Jean Leclerc. He came into contact with Lombard art after a brief visit to Bergamo in 1631. In 1638 he settled in Vicenza and executed most of his work there. He painted history and bacchanals, and also sacred subjects of a small size, many of which are to be seen in the churches in the Venetian states. Paintings by him may be seen in the Galleries of Augsburg, Dresden, Vienna, Modena, and Florence. He was also an etcher; his best plates being St. Anthony of Padua, Christ on the Mount of Olives, The Virgin reading, and The Virgin with Rosary. He died at Verona. Carlo Carpioni, his son, was also a painter. Among his important works are the Apotheosis of the Dolfin family (1647) and the Allegory of the Grimani Family (1651), and altarpiece of Sant'Antonio da Padova, a Virgin and two saints, and a Triumph of Silenus in the Gallerie dell Accademia of Venice. He painted a series of canvases for the Oratory of San Nicola da Tolentino in Vicenza.

Måleriet identifieringen::  71717
Bacchanal
1660 - 65 Oil on canvas 81 x 100 cm
(1613 - 29 January 1678) was an Italian painter and etcher of the early Baroque era. Born probably in Venice, Carpioni studied under Alessandro Varotari (il Padovanino) and was also influenced by the work of Simone Cantarini, Carlo Saraceni and Jean Leclerc. He came into contact with Lombard art after a brief visit to Bergamo in 1631. In 1638 he settled in Vicenza and executed most of his work there. He painted history and bacchanals, and also sacred subjects of a small size, many of which are to be seen in the churches in the Venetian states. Paintings by him may be seen in the Galleries of Augsburg, Dresden, Vienna, Modena, and Florence. He was also an etcher; his best plates being St. Anthony of Padua, Christ on the Mount of Olives, The Virgin reading, and The Virgin with Rosary. He died at Verona. Carlo Carpioni, his son, was also a painter. Among his important works are the Apotheosis of the Dolfin family (1647) and the Allegory of the Grimani Family (1651), and altarpiece of Sant'Antonio da Padova, a Virgin and two saints, and a Triumph of Silenus in the Gallerie dell Accademia of Venice. He painted a series of canvases for the Oratory of San Nicola da Tolentino in Vicenza. Titta min galleri i Sverige
 
 
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Giulio Carpioni Bacchanal oil painting reproduction

   
 

 

 
   
      

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Giulio Carpioni

(1613 - 29 January 1678) was an Italian painter and etcher of the early Baroque era. Born probably in Venice, Carpioni studied under Alessandro Varotari (il Padovanino) and was also influenced by the work of Simone Cantarini, Carlo Saraceni and Jean Leclerc. He came into contact with Lombard art after a brief visit to Bergamo in 1631. In 1638 he settled in Vicenza and executed most of his work there. He painted history and bacchanals, and also sacred subjects of a small size, many of which are to be seen in the churches in the Venetian states. Paintings by him may be seen in the Galleries of Augsburg, Dresden, Vienna, Modena, and Florence. He was also an etcher; his best plates being St. Anthony of Padua, Christ on the Mount of Olives, The Virgin reading, and The Virgin with Rosary. He died at Verona. Carlo Carpioni, his son, was also a painter. Among his important works are the Apotheosis of the Dolfin family (1647) and the Allegory of the Grimani Family (1651), and altarpiece of Sant'Antonio da Padova, a Virgin and two saints, and a Triumph of Silenus in the Gallerie dell Accademia of Venice. He painted a series of canvases for the Oratory of San Nicola da Tolentino in Vicenza.

Måleriet identifieringen::  92399
Bacchanal
Date between 1660(1660) and 1665(1665) Medium oil on canvas Dimensions Height: 81 cm (31.9 in). Width: 100 cm (39.4 in). ttd
(1613 - 29 January 1678) was an Italian painter and etcher of the early Baroque era. Born probably in Venice, Carpioni studied under Alessandro Varotari (il Padovanino) and was also influenced by the work of Simone Cantarini, Carlo Saraceni and Jean Leclerc. He came into contact with Lombard art after a brief visit to Bergamo in 1631. In 1638 he settled in Vicenza and executed most of his work there. He painted history and bacchanals, and also sacred subjects of a small size, many of which are to be seen in the churches in the Venetian states. Paintings by him may be seen in the Galleries of Augsburg, Dresden, Vienna, Modena, and Florence. He was also an etcher; his best plates being St. Anthony of Padua, Christ on the Mount of Olives, The Virgin reading, and The Virgin with Rosary. He died at Verona. Carlo Carpioni, his son, was also a painter. Among his important works are the Apotheosis of the Dolfin family (1647) and the Allegory of the Grimani Family (1651), and altarpiece of Sant'Antonio da Padova, a Virgin and two saints, and a Triumph of Silenus in the Gallerie dell Accademia of Venice. He painted a series of canvases for the Oratory of San Nicola da Tolentino in Vicenza. Titta min galleri i Sverige
 
 
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Giulio Carpioni Bacchanal oil painting reproduction

   
 

 

 
   
      

Giulio Carpioni
(1613 - 29 January 1678) was an Italian painter and etcher of the early Baroque era. Born probably in Venice, Carpioni studied under Alessandro Varotari (il Padovanino) and was also influenced by the work of Simone Cantarini, Carlo Saraceni and Jean Leclerc. He came into contact with Lombard art after a brief visit to Bergamo in 1631. In 1638 he settled in Vicenza and executed most of his work there. He painted history and bacchanals, and also sacred subjects of a small size, many of which are to be seen in the churches in the Venetian states. Paintings by him may be seen in the Galleries of Augsburg, Dresden, Vienna, Modena, and Florence. He was also an etcher; his best plates being St. Anthony of Padua, Christ on the Mount of Olives, The Virgin reading, and The Virgin with Rosary. He died at Verona. Carlo Carpioni, his son, was also a painter. Among his important works are the Apotheosis of the Dolfin family (1647) and the Allegory of the Grimani Family (1651), and altarpiece of Sant'Antonio da Padova, a Virgin and two saints, and a Triumph of Silenus in the Gallerie dell Accademia of Venice. He painted a series of canvases for the Oratory of San Nicola da Tolentino in Vicenza.
Bacchanal

        
 
   
 

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