Oljemålning på duk, riktig reproduktion av gamla målare.
|
henry wadsworth longfellow
|
||||
|
|
||||
|
||||
|
||||
the attributes of music
Måleriet identifieringen:: 60097 new21/unknow artist-485274.jpg mk270 thi paintin by anne vallayer coster, entitled the attributes of music , was complered in 1770, just before the french revolution and the bebinninb of the romantic period in music . the instruments are horn, cornemuse, lute flute and violin. |
||||
|
|
||||
|
||||
|
|
||||
| 1807-C82, American poet, b. Portland, Maine, grad. Bowdoin College, 1825. He wrote some of the most popular poems in American literature, in which he created a new body of romantic American legends. Descended from an established New England family, after college he spent the next three years in Europe, preparing himself for a professorship of modern languages at Bowdoin, where he taught from 1829 to 1835. After the death of his young wife in 1835, Longfellow traveled again to Europe, where he met Frances Appleton, who was to become his second wife after a long courtship. She was the model for the heroine of his prose romance, Hyperion (1839). From 1836 to 1854, Longfellow was professor of modern languages at Harvard, and during these years he became one of an intellectual triumvirate that included Oliver Wendell Holmes and James Russell Lowell. Although a sympathetic and ethical person, Longfellow was uninvolved in the compelling religious and social issues of his time; he did, however, display interest in the abolitionist cause. | ||||
| mk270 thi paintin by anne vallayer coster, entitled the attributes of music , was complered in 1770, just before the french revolution and the bebinninb of the romantic period in music . the instruments are horn, cornemuse, lute flute and violin. | ||||
|
|
||||
