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Domenico Ghirlandaio
   
Italian 1449-1494 Domenico Ghirlandaio Galleries
Domenico Ghirlandaio Its image oil painting artist


Domenico Ghirlandaio Its image oil painting artist

Its image
Måleriet identifieringen::  58156
new20/Domenico Ghirlandaio-564299.jpg
the mk261 Florence, the Ukrainian Fiji art museum, in 1890 numbered 602.
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Domenico Ghirlandaio An Old Man and His Grandson oil painting artist


Domenico Ghirlandaio An Old Man and His Grandson oil painting artist

An Old Man and His Grandson
Måleriet identifieringen::  59052
new21/Domenico Ghirlandaio-598822.jpg
An Old Man and His Grandson (ca. 1490) Tempera on wood, 62 x 46 cm. Louvre, Paris
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Domenico Ghirlandaio Portrait of a Young Woman oil painting artist


Domenico Ghirlandaio Portrait of a Young Woman oil painting artist

Portrait of a Young Woman
Måleriet identifieringen::  59053
new21/Domenico Ghirlandaio-926469.jpg
Portrait of a Young Woman
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Domenico Ghirlandaio Supposed self portrait in Adoration of the Magi oil painting artist


Domenico Ghirlandaio Supposed self portrait in Adoration of the Magi oil painting artist

Supposed self portrait in Adoration of the Magi
Måleriet identifieringen::  59054
new21/Domenico Ghirlandaio-686468.jpg
Supposed self-portrait in Adoration of the Magi, 1488 (Ospedale degli Innocenti, Florence
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Domenico Ghirlandaio Study oil painting artist


Domenico Ghirlandaio Study oil painting artist

Study
Måleriet identifieringen::  62402
new21/Domenico Ghirlandaio-765465.jpg
220 x 170 mm Galleria degli Uffizi, Florence The picture shows a study to the fresco of the Birth of Mary executed in the Cappella Tornabuoni of the Santa Maria Novella in Florence. The only figure in the fresco who conveys any sense of movement is the servant pouring water into a brass basin for the child to bathe in. Ghirlandaio prepared for the painting by drawing this detailed individual study. The cloth fluttering behind her is lower in the fresco than here, in order not to obstruct our view of Anne. The sleeves were also altered at her elbows. The cross-hatching and the strong contours so typical of Ghirlandaio's style of drawing are clearly recognizable
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