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HOLBEIN, Hans the Younger
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| German painter (b. 1497, Augsburg, d. 1543, London). | ||||
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Portrait of an Unknown Lady new21/HOLBEIN, Hans the Younger-922887.jpg Måleriet identifieringen:: 63722 |
1541 Vellum mounted on playing card, diameter 5,1 cm Royal Collection, Windsor The first portrait miniatures were produced in France, their precursors being the small circular works commissioned by Francis I to celebrate the victory of Marignano in 1515. Jean Clouet was among the early practitioners of this format, which seems to have arrived in England by 1526 in the form of French royal portraits. Ten years elapsed before Holbein's contribution, but his work marks an immediate advance over the productions of earlier native practitioners like Lucas Horenbout. The small scale and different medium - vellum mounted on playing card (and termed `miniature' because of the lead, Latin minium, used in the paint) did nothing to hamper Holbein's sturdy realism. The identity of the lady is uncertain - the Romantic view of the 1840s judged it to be a portrait of Henry VIII's tragic fifth wife, Catherine Howard, executed for alleged adultery, although no ascertainable portrait of her exists elsewhere. What is certain is that Holbein's powers of characterization lost nothing in the confined space. Features of his late style include the clarity and simplicity of the background, often eschewing even the standard biographical information so as to maintain as direct a perception of the sitter as possible.Artist:HOLBEIN, Hans the Younger Title: Portrait of an Unknown Lady Painted in 1501-1550 , German - - painting : portrait | ||
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Arthur Devis
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| 1712-1787 English | ||||
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Portrait of an unknown Lady new24/Arthur Devis-398587.jpg Måleriet identifieringen:: 74926 |
from 1750(1750) until 1755(1755) Oil on canvas 610 X 406 cm (240.16 X 159.84 in) cjr | ||
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Aleksey Antropov
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| (Russian: 25 March [O.S. 14 March] 1716 - 23 June [O.S. 12 June] 1795) was a Russian barocco painter active primarily in St. Petersburg, where he was born and died. He also worked in Moscow and frescoed churches in Kiev. His preferred medium was oil, but he also painted miniatures and icons. Alexei was born to a family of government official working in Armory and in the Department of Building (kantselyatiya stroeniy). Since 1732 Alexei also working at the same department under his relative A. Matveyev, since 1739 he is a member of the painting team (zhivopisnaja komanda) of the Department under Ivan Vishnyakov. As the member of the team Alexei took part in fresoeing of Summer Palace, Winter Palace, Anichkov Palace and other buildings of Saint Petersburg. He also studied portrait art from the court painter Louis Caravaque of France. In 1749 Alexei received the rank of the Painter's apprentice (zhivopisniy podmasterye) and in the end of 1750ies the rank of the Master Painter (zhivopisniy master). In 1752-1755 he worked on the interiors of the St Andrew's Church of Kiev. He supervised the installation of the iconostasis, frescoed cupolas and walls. The most prominent of his frescoes in the church is the Last Supper in the altar. He started to paint portraits before his Kiev period. The earliest known portraits of his are portraits of Elizabeth of Russia. He did not met his model but based the paintings on the works of his teacher, Louis Caravaque. Unknown lady, 1760iesIn 1755-1757 he worked in Moscow frescoeing the Golovkin palace. Here he met prince Ivan Shuvalov who supported Antropov's works for the rest of his life. In 1757 - 1759 Antropov returned to Saint-Petersburg and learned art from court painter Pietro Rotari of Italy. Historians consider his portrait of A.M. Izmaylova to be a sort of a graduation work. The 1760ies were probably the most productive period of the artist. He painted many good portraits among the Portrait of Ataman Krasnoschekov, Portrait of Rumyantseva. Ivan Shuvalov planned to move him to Moscow, so Antropov could teach art the Moscow University. For some reason this plan was canceled and Antropov instead got the job at the Synod of the Russian Orthodox Church, there he supervised icon painting, decorating of the churches, drew the portraits of church hierarchs and supervised art students. Among his apprentices was Dmitry Levitzky, who actually lived in the house of his teacher. In 1762 Peter III of Russia became the new Emperor. Antropov soon became his favorite painter. For the six month of Peter III rule Antropov painted at least four of his portraits. After the palace revolt the new Emperess, Catherine II was of much lower opinion of the talents of Antropov. At that time the artists appreciated the soft combinations of colors and some sort of a fine flattering on the ceremonial portraits. | ||||
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Portrait of an Unknown Lady new24/Aleksey Antropov-685335.jpg Måleriet identifieringen:: 75858 |
1760s Oil on canvas cjr | ||
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Arthur Devis
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| 1712-1787 English | ||||
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Portrait of an unknown Lady new24/Arthur Devis-988768.jpg Måleriet identifieringen:: 76489 |
Date from 1750(1750) until 1755(1755) Medium Oil on canvas Dimensions 610 x 406 cm (240.2 x 159.8 in) cyf | ||
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Rodrigo de Villandrando
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| Rodrigo de Villandrando (1588 - December 1623) was a court painter during the reign of Philip III of Spain. He worked in the tradition of Alonso Senchez Coello and Juan Pantoja de la Cruz. His death opened the road to court for the young painter Diego Velezquez from Sevilla. | ||||
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Portrait of an Unknown Lady new24/Rodrigo de Villandrando-763456.jpg Måleriet identifieringen:: 80337 |
1610s Medium Oil on canvas cyf | ||
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