Oljemålning på duk, riktig reproduktion av gamla målare.
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Lorenzo Ghiberti
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Isaac Sends Esau to Hunt
Måleriet identifieringen:: 63023 new21/Lorenzo Ghiberti-346322.jpg 1425-52 Bronze Baptistry, Florence Following his journey to Rome in 1416, Ghiberti showed himself ever more receptive to ancient art. The models are never copied in a servile fashion, but are, rather, exploited as an inexhaustible source of inspiration, and transformed by a wholly modern, dynamic interpretation. The group of women on the left side, whose draperies move in folds revealing the forms of the body or fly in wind-lifted arabesques, appear in several scenes on the Gates of Paradise, each time in a new version. They are borrowed from antique sculpture, as in the canephore, whose ornamental potential was often to be exploited in Florentine renaissance painting. Artist: GHIBERTI, Lorenzo Painting Title: Isaac Sends Esau to Hunt (panel from the eastern door) , 1401-1450 Painting Style: Italian , sculpture Type: religious |
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| Italian Early Renaissance Sculptor, 1378-1455 | ||||
| 1425-52 Bronze Baptistry, Florence Following his journey to Rome in 1416, Ghiberti showed himself ever more receptive to ancient art. The models are never copied in a servile fashion, but are, rather, exploited as an inexhaustible source of inspiration, and transformed by a wholly modern, dynamic interpretation. The group of women on the left side, whose draperies move in folds revealing the forms of the body or fly in wind-lifted arabesques, appear in several scenes on the Gates of Paradise, each time in a new version. They are borrowed from antique sculpture, as in the canephore, whose ornamental potential was often to be exploited in Florentine renaissance painting. Artist: GHIBERTI, Lorenzo Painting Title: Isaac Sends Esau to Hunt (panel from the eastern door) , 1401-1450 Painting Style: Italian , sculpture Type: religious | ||||
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