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Sebastian Stoskopff
Sebastian Stoskopff Still Life with a Statuette and Shells (mk05) oil

    Stilla Liv med en Staty och Skalen (mk05)
   new5/Sebastian Stoskopff-829776.jpg
  Måleriet identifieringen::  20249
  Wood. 201/2 x 28 1/2~~( 52 x 73cm )

Sebastian Stoskopff Still Life with Books Candle and Bronze Statue (mk05) oil

    Stilla Liv med Bokna Ljus och Brons Staty (mk05)
   new5/Sebastian Stoskopff-796557.jpg
  Måleriet identifieringen::  20251
  Segelduk. 20 x 27~~( 51 x 69 cm )Acquired i 1982

Sebastian Stoskopff Still-Life with Glasses and Bottles oil

    Still-Life with Glasses and Bottles
   new18/Sebastian Stoskopff-732878.jpg
  Måleriet identifieringen::  51004
  1641-44 Oil on canvas, 122 x 99 cm

Sebastian Stoskopff The Great Vanity oil

    The Great Vanity
   new18/Sebastian Stoskopff-784837.jpg
  Måleriet identifieringen::  51005
  1641 Oil on canvas

Sebastian Stoskopff Still-Life of Glasses in a Basket oil

    Still-Life of Glasses in a Basket
   new21/Sebastian Stoskopff-657922.jpg
  Måleriet identifieringen::  63702
  1644 Oil on canvas, 51 x 62 cm Mus?e de l'Oeuvre de Notre Dame, Strasbourg The most neglected area of French 17th-century painting is that of still-life. It is still sometimes mistakenly assumed that the work of still-life painters was insignificant in their time compared with the grand designs of Claude and Poussin but, with one major exception, all the main still-life painters worked in Paris; they were not provincial artists working in obscurity away from the mainstream of the development of painting. The exception was the obscure S?bastian Stoskopff, whose oeuvre has only recently been reconstructed. He was isolated in Strasbourg, the main town of the province of Alsace, which did not come under French rule until 1648 (although Strasbourg itself was not occupied until 1681). In the Middle Ages the artistic traditions of Alsace had their own flavour, being subjected to influences from central Europe, Italy, and, to a lesser extent, France. Stoskopff, however, was influenced by none of these traditions, being a totally isolated painter working in a style verging on the naive. Influences from such German still-life painters as Georg Flegel are discernible, but they merely be caused by the similarity of subject-matter rather than by any stylistic affinity. Stoskopff art's is unique. One of the best examples of his work is the Still-Life of Glasses in a Basket. The tonality is monochrome, and the glasses in the basket are positioned in disarray. To this day, waitresses in restaurants in the region collect the empty drinking glasses by placing them heaped up in a basket rather than balancing them on a tray. There is therefore no complex iconography behind such a depiction; it is just a careful record of an everyday sight.Artist:STOSKOPFF, S?bastien Title: Still-Life of Glasses in a Basket Painted in 1601-1650 , French - - painting : still-life

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