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Artists
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RUBENS, Pieter Pauwel
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Portrait of Marchesa Brigida Spinola Doria new22/RUBENS, Pieter Pauwel-327668.jpg Måleriet identifieringen:: 64568 |
1606 Oil on canvas National Gallery of Art, Washington The painting was done while Rubens was in Genoa in 1606. It was cut down from a full-length portrait in which the young Marchesa (age 22) appears in the porch of a villa. We know this from a study drawing for the portrait, which is in the Pierpont Morgan Library, New York. Artist:RUBENS, Pieter Pauwel Title: Portrait of Marchesa Brigida Spinola Doria, 1601-1650, Flemish , painting , portrait | |
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Portrait of Helena Fourment new22/RUBENS, Pieter Pauwel-276878.jpg Måleriet identifieringen:: 64569 |
1630 Oil on canvas Mus?es Royaux des Beaux-Arts, Brussels Artist:RUBENS, Pieter Pauwel Title: Portrait of Helena Fourment, 1601-1650, Flemish , painting , portrait | |
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The Apotheosis of Henry IV and the Proclamation of the Regency of Marie de Medicis on May new22/RUBENS, Pieter Pauwel-292547.jpg Måleriet identifieringen:: 64571 |
1610 1623-25 Oil on canvas Mus?e du Louvre, Paris *** Keywords: ************* Author: RUBENS, Pieter Pauwel Title: The Apotheosis of Henry IV and the Proclamation of the Regency of Marie de Medicis on May 14, 1610, 1601-1650, Flemish , painting , historical | |
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Landscape with Cows new22/RUBENS, Pieter Pauwel-282225.jpg Måleriet identifieringen:: 64572 |
1636 Oil on panel Alte Pinakothek, Munich *** Keywords: ************* Author: RUBENS, Pieter Pauwel Title: Landscape with Cows, 1601-1650, Flemish , painting , landscape | |
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Triumphal Entry of Henry IV into Paris new22/RUBENS, Pieter Pauwel-268633.jpg Måleriet identifieringen:: 64581 |
1627-30 Oil on canvas, 380 x 692 cm Galleria degli Uffizi, Florence This canvas belongs to the unfinished cycle dedicated to Henry IV and shows the king, converted and victorious, entering Paris on 22 March 1594 at the end of a long period of internal struggles. Renouncing any reference to time or place, Rubens illustrates the episode in a complex allegorical context, creating an analogy with the triumph of a Roman emperor. In particular, the group of the crowned king and the architecture of the triumphal arch (derived from the Roman prototype of the arch of Titus), surmounted by soldiers and horses, arise from en evident reinterpretation of Mantegna's painting of Caesar's Chariot. *** Keywords: ************* Author: RUBENS, Pieter Pauwel Title: Triumphal Entry of Henry IV into Paris, 1601-1650, Flemish , painting , historical | |
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