Paul Delaroche
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Cardinal Mazarin's Last Sickness new21/Paul Delaroche-872259.jpg Måleriet identifieringen:: 62854
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57 x 97 cm Wallace Collection, London Two once famous pictures by Delaroche in the Wallace Collection illustrate the contrasting last days of the two great French Cardinals, Mazarin eager for wealth, Richelieu thirsting for revenge. Artist: DELAROCHE, Paul Title: Cardinal Mazarin's Last Sickness , painting Date: 1801-1850 French : historical |
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Hemicycle new21/Paul Delaroche-764533.jpg Måleriet identifieringen:: 62861
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1837 Encaustic wall painting ecole Nationale Superieure des Beaux-Arts, Paris In 1837 Delaroche was given an important commission. It was to decorate the apse of the Ecole des Beaux-Arts with a cycle of more than 70 of the most famous artists since Antiquity. This pantheon of art was known as the Hemicycle, and for decades it served artists from every country as a model of allegorical fresco painting. In the execution Delaroche went back to the antique technique of encaustic, and was the first artist to do so. This is a method in which hot melted wax is poured over the plaster, and it gives the painting a smooth quality that also repels damp. The German artist Julius Schnorr von Carolsfeld used the same technique for the wall paintings in the Residenz in Munich which he executed for King Ludwig I. The picture shows the left side of the painting. Artist: DELAROCHE, Paul Title: Hemicycle (detail) , painting Date: 1801-1850 French : other |
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Hemicycle new21/Paul Delaroche-799989.jpg Måleriet identifieringen:: 62862
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1837 Encaustic wall painting ecole Nationale Superieure des Beaux-Arts, Paris In 1837 Delaroche was given an important commission. It was to decorate the apse of the ecole des Beaux-Arts with a cycle of more than 70 of the most famous artists since Antiquity. This pantheon of art was known as the Hemicycle, and for decades it served artists from every country as a model of allegorical fresco painting. In the execution Delaroche went back to the antique technique of encaustic, and was the first artist to do so. This is a method in which hot melted wax is poured over the plaster, and it gives the painting a smooth quality that also repels damp. The German artist Julius Schnorr von Carolsfeld used the same technique for the wall paintings in the Residenz in Munich which he executed for King Ludwig I. The picture shows the right side of the painting. Artist: DELAROCHE, Paul Title: Hemicycle (detail) , painting Date: 1801-1850 French : other |
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Young Christian Martyr new21/Paul Delaroche-688392.jpg Måleriet identifieringen:: 62863
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171 x 148 cm Musee du Louvre, Paris The Nazarenes painted quasi-devotional portraits of each other and their ideal wives or longed-for lovers, often doomed to early death from common diseases of the time. Perhaps the most extreme expression of this sentiment occurs in a series of religious pictures painted by Delaroche after the death of his wife, Louise Vernet, in 1845. In the finest and strangest of these, the Young Christian Martyr, her features float on the dark waters of the Tiber, lit by the halo of sainthood. Artist: DELAROCHE, Paul Title: Young Christian Martyr , painting Date: 1801-1850 French : religious |
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Herodias new24/Paul Delaroche-735585.jpg Måleriet identifieringen:: 74976
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1843
Oil on canvas
129 x 98 cm
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