olj på tavlor,riktig anstrykning av gamla mästare

Artists Index

ARTISTA  B  C  D  E  F  G  H  I  J  K  L  M  N-O  P-Q  R  S  T-U  V  W-Z


Svenska

Spanska

Engelska

Franska

Tyska

    Föregående  13  14  15  16  17  18  19  20  21  22   Nästa
      Nästa Konstnär    

Francisco de goya y Lucientes
 
Francisco de goya y Lucientes Truth Has Died oil


    Truth Has Died
   new21/Francisco de goya y Lucientes-927878.jpg
  Måleriet identifieringen::  62465
  1810-1814 Etching, 175 x 220 mm - This is Plate 79 from the series The Disasters of War (Los desastres de la guerra). In the concluding plates of the Disasters of War are shown the burial of a beautiful young woman, followed by her exhumation or resurrection . Captioned Murio la verdad (Truth has Died), the first shows her body radiant with light as she lies in her grave and a looming priest administers the last rites. In the companion print, Si reucitaria? (Will She Rise Again?), she is exposed, her radiance and beauty faded, her face aged. Still she emits a glow that seems all the greater for the depth of background shadow - and sufficient to throw the crowd of peering ghouls into a frenzy. Here, the parallel hatching of the first etched plate is replaced by radiant lines, inked more intensely as they spread away from the body. Author: GOYA Y LUCIENTES, Francisco de Title: Truth Has Died (Murio la verdad) Form: graphics , 1801-1850 , Spanish , other
   
 
 
 
 
   

Francisco de goya y Lucientes Will She Rise Again oil


    Will She Rise Again
   new21/Francisco de goya y Lucientes-665383.jpg
  Måleriet identifieringen::  62466
  1810-1814 Etching, 175 x 220 mm - This is Plate 80 from the series The Disasters of War (Los desastres de la guerra). In the concluding plates of the Disasters of War are shown the burial of a beautiful young woman, followed by her exhumation or resurrection . Captioned Murio la verdad (Truth has Died), the first shows her body radiant with light as she lies in her grave and a looming priest administers the last rites. In the companion print, Si reucitaria? (Will She Rise Again?), she is exposed, her radiance and beauty faded, her face aged. Still she emits a glow that seems all the greater for the depth of background shadow - and sufficient to throw the crowd of peering ghouls into a frenzy. Here, the parallel hatching of the first etched plate is replaced by radiant lines, inked more intensely as they spread away from the body
   
 
 
 
 
   

Francisco de goya y Lucientes As far back as his grandfather oil


    As far back as his grandfather
   new21/Francisco de goya y Lucientes-534864.jpg
  Måleriet identifieringen::  62467
  1797-98 Aquatint, 215 x 150 mm - Goya caricatures the pride of the hidalgos. Some 500.000 of Spain's population of around 10 million considered themselves to belong to this lesser branch of the nobility. Since work was beneath their station, most of them were impoverished, their only possessions being a long line of ancestors. Author: GOYA Y LUCIENTES, Francisco de Title: As far back as his grandfather Form: graphics , 1801-1850 , Spanish , other
   
 
 
 
 
   

Francisco de goya y Lucientes  The Morisco Gazul is the First to Fight Bulls with a Lance oil


    The Morisco Gazul is the First to Fight Bulls with a Lance
   new21/Francisco de goya y Lucientes-988765.jpg
  Måleriet identifieringen::  62468
  1815-16 Etching and aquatint, 250 x 350 mm - This is Plate 5 from the series Tauromaquia. Author: GOYA Y LUCIENTES, Francisco de Title: The Morisco Gazul is the First to Fight Bulls with a Lance Form: graphics , 1801-1850 , Spanish , other
   
 
 
 
 
   

Francisco de goya y Lucientes The Bravery of Martincho in the Ring of Saragassa oil


    The Bravery of Martincho in the Ring of Saragassa
   new21/Francisco de goya y Lucientes-533827.jpg
  Måleriet identifieringen::  62469
  1815-1816 Etching and aquatint, 245 x 355 mm - This is Plate 18 from the series Tauromaquia. While working on The Disasters of War, Goya also etched 33 plates, which he offered for sale under the title of Tauromaquia (The Art of Bullfighting). Here he depicts a famous torero, seated on a chair and with his feet tied, preparing to deliver the bull a fatal thrust. A moment of extreme tension, which Goya makes palpable by abandoning the traditional rules of perspective. Author: GOYA Y LUCIENTES, Francisco de Title: The Bravery of Martincho in the Ring of Saragassa (Tauromaquia 18) Form: graphics , 1801-1850 , Spanish , other
   
 
 
 
 
   

    Föregående  13  14  15  16  17  18  19  20  21  22   Nästa
      Nästa Konstnär    

Also Buy::. For Following Paintings / Artists / Products, Please Use Our Search Online:
Dancer Seated / Wader / A Concert -08- / The Three Young Men in the Blazing Furna / Le Calvaire / Rebecca at the Well / door moulding / California Valley Fram / The Judgment of Paris df / Maori Head / Self-Portrait-The Painter in his Studio / St Paul sgy / Merahi Metua No Teha-amana / picture frame mat / Foliage / Hanka Zborowska au bougeoir -38- / The Lamentation of Christ -05- / The Temptaion of St Anthony / Eugene Pertuiset,le chasseur de lions -4 / The Temple of Bassae or Phigaleia,in Arc / Days of Peac,How Sweet s the product of / Fairviewshores / Female nude / illustration / The Arts and Sciences / Madonna of the Chair / Amusing Party in the Open Air s / Caryatid / The Flaying of Marsyas / Blessed Agostino Novello Altarpiece / Still Life with Salad Greens / Landscape with Magicians fs / Artsvashen / The Angel of the Annunciation / Exterior of the church f / Luverne / Soldiers of the Tenth Light Dragoons -25 / St John the Baptist at the Well ty / Young Boy with a Cat / Portrait of the Children of Charles I of /